When I was doing the master trainer course at NLPU in California this summer, one of the last things that the amazing Judith DeLozier said to us was “Keep the Channel Open”. And you know, of course, she is totally right. It is so easy to be open for a few days, or for a course, or for a vacation. What unfortunately happens to so many of us is that we slip back into a semi-open or closer-to-closed mode when we return to our normal lives, whatever “normal” may mean.
It’s not actually Judith’s line. I believe that it comes from Martha Graham who says it all beautifully in this quotation.
There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium, and be lost. The world will not have it.
It is not your business to determine how good it is, nor how valuable, nor how it compares with other expressions. It is your business to keep it yours, clearly and directly, to keep the channel open. You do not even have to believe in yourself or your work. You have to keep open and aware directly to the urge that motivates you.
Keep the channel open.
The line, “Keep the channel open” kept repeating again and again in my head, at first in a conscious attempt to keep connected to the beautiful feeling of actually being open, and then later unconsciously, going around and around in loops, so that I would wake to the sound of my own internal voice saying, “keep the channel open.”
A bit obsessive of course, and my own unconscious mind had more sense than to keep running that loop, so it wrapped it up in this song instead.
Along the way, Matthew Hegstrom turned up in my house one evening and sang along with me on the demo that has turned into the current recording. Then Erik Imai had a free night away from the business of Toyota Corporation and added some crazy fun percussion. He wanted a crystal sound, so I handed him a fork and our prized Waterford crystal glass. The Waterford survived the ideal, but ironically, it was the cheap glasses that sounded better, and even better sounding were the tarnished silver cups from India that I picked up at a dump in Ireland. He also added in the remarkably difficult-to-spell Cajone and a pair of bongos that came from a second-hand shop called Hard-Off in Japan. Then Phil stepped in from England to add some nutty 1968 jangly guitar that comes straight from psychadelia. The mad guitar at the end is also thanks to Phil who seems to have really let himself off the leash for this paradoxically soothing ending.
And of course, it’s just a demo – like life. The vocals need to be redone, the bass is off-rhythm, the keyboard is a bit … Anyway …
… we had fun – and we hope you have fun listening to the current incarnation of “Keep the Channel Open.”
Eventually, we’ll make it all sound perfect and wonderful and put it out on CD or vinyl or SD card or smoking banana skin or whatever the new format happens to be when that day arrives. In the meantime, just enjoy the song!